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In their book Killing for Culture, authors David Kerekes and David Slater note that the nadir of the movie is the inclusion of an extreme fatal accident "the shattered remains of a cyclist are seen under a semi-tractor trailer. Apone, make-up and special effects artists for the movie saying that about 40% of it is fake), most of the remaining footage is genuine (approx. Īlthough several of the human death scenes and one depicting a monkey being killed are obvious fakes (with Allan A. John Alan Schwartz has said that this movie's budget was $450,000 and there are estimates that it has grossed more than $35 million worldwide in theatrical releases, not including rentals.
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Gröss", whose voice is reminiscent of Leonard Nimoy in the popular TV show In Search of.
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This movie features Michael Carr as the narrator, and 'creative consultant' called "Dr. He also appears in one of the segments of the film, as the leader of the alleged flesh eating cult in San Francisco and has brief appearances in several other movies of this series. Schwartz also took credit as second unit director, this time as "Johnny Getyerkokov". The movie was written and directed by John Alan Schwartz (credited as "Alan Black" for writing and as "Conan LeCilaire" for directing). Thomas Noguchi as Chief Medical Examiner Coroner.Immediately after Gröss's final dialogue, footage of a baby's birth & photos of the child growing with a happy life plays with peaceful music as the film comes to an end. Gröss ends by questioning if death is "the end of the beginning or the beginning of the end" and leaves the footage that he has shown to the viewer's interpretation.
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Gröss remarks that after studying Binder's case, he has concluded even "when we die, it isn't really the end", "the soul in each of us remains a traveller forever". Binder later communicates with the spirits of his family through a medium, seemingly confirming the existence of life after death. Gröss enlists the services of parapsychologists to verify this, and the team later manages to spot footprints and take photographs of the two apparitions. He confides in the viewer that he believes that his deceased family remain as ghosts in his house and attempt to communicate with him. He meets with architect Joseph Binder, whose wife and son both died under tragic circumstances. Gröss introduces his next topic, the idea that supernatural forces could exist. The segment ends with photographs, footage and air traffic control audio from the crash of PSA Flight 182 and its aftermath. Gröss disputes the notion that this death was quick and painless, as the jumper would have been conscious and aware for the entire fall to the ground. Soon after, Gröss exhibits video footage of criminal Larry DeSilva being executed by electric chair.įootage of several more tragic accidents is shown, both animal and human, culminating in a segment focusing on vehicle accidents, including a scene in which a wing walker attempts a parachute jump from his plane, but dies after the parachute fails to open properly. A gunfight ensues between an armed murderer and a SWAT team, ending in the murderer being shot, the SWAT team entering the killer's house to find his family stabbed to death Gröss questions if the man's actions were caused by society. However, Gröss next introduces "another type of killer", "the one who kills for no apparent reason". Assassin François Jordan is interviewed, admitting that he kills solely for payment, not for "political" or "social value". Gröss next narrates over recordings of human deaths, the only species who kill for "greed". A man is killed by an alligator, an act that Gröss calls a "violent retaliation from a creature who has suffered continued abuse from mankind". Footage of a monkey being killed and its brain being eaten by guests of a banquet is also shown. He next examines the natural predators of the Amazon rainforest and the ways in which they kill their prey. In Mexico, Gröss has captured the mummified corpses of the deceased inhabitants of Guanajuato, as well as footage of a dog fight between two pit bulls. He has accrued footage from several parts of the world in an effort to better understand and study the many "faces of death". Gröss states to the viewer that he has become interested with the transitional periods of life and death thanks to a recurring dream. On an operating table, an unnamed patient undergoes open heart surgery that saves his life.